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''New York Tendaberry'' is the third album by New York-born singer, songwriter and pianist Laura Nyro. It was released in the autumn of 1969 on Columbia Records, some eighteen months after its predecessor, ''Eli and the Thirteenth Confession''. The album is generally considered by rock critics and Laura Nyro aficionados to be her greatest musical achievement. It was helmed by her, with the assistance of producer and engineer Roy Halee. The cover photograph was taken by David Gahr. ''New York Tendaberry'' is also considered to be the second in a trilogy of classic original Nyro records, with ''Eli'' and ''Christmas and the Beads of Sweat'' on either side. They are all considered musically and thematically similar, although ''New York Tendaberry'' is the most intense and stark. In 1969, Nyro was one of the most popular pop songwriters, and various groups including The 5th Dimension, Three Dog Night, and Blood Sweat and Tears had enjoyed hits with her compositions. Thanks to the strong word of mouth trailing her work, ''New York Tendaberry'' became her most commercially successful record, peaking at #32 on the ''Billboard'' 200, formerly known as the Pop Albums chart. The 5th Dimension reached US #27 in the Pop Singles chart (the Hot 100) with their version of "Save the Country", while artists including Barbra Streisand recorded "Time and Love". In 2003, the album was included in Mojo's ''Collection'' book of the best albums of all time, and the reissued version was voted among the Best Albums of 2002 in ''Uncut'' magazine. ==Overview== ''New York Tendaberry'' is loosely Nyro's love ode to her hometown, New York City. All of the songs either take place in or are influenced by said city. The title track particularly stands out as an ode to the city, while other songs, such as "Gibsom Street" and "Mercy on Broadway", take place in the urban metropolis. Elsewhere, Nyro sings of lovers and romances in a notably darker and more knowing tone than on 1968's ''Eli and the Thirteenth Confession'', adding further weight to the theory that this album is a thematic continuation from its predecessor. Musically, ''New York Tendaberry'' is far more intimate than any other Nyro album, and the lack of multi-layered instrumentation and memorable pop hooks was a surprise coming after ''Eli''. The album is built around her voice and piano; her voice is at its wildest and most free, swooping and diving between notes and regularly locked in its upper register, while her piano playing is alternately velvety and impassioned. Nyro guided co-producer and engineer Roy Halee using color metaphors. She could not understand musical notation, and used other analogies to communicate what she wanted. This process slowed recording down somewhat, as did her perfectionism. The use of strings and classical instrumentation is also notable. The album also uses sound effects, such as the gunshot on "Mercy on Broadway" and the twinkling sky in "New York Tendaberry". Alongside Nyro's piano, there is a jazz band, an orchestra, and a rock band, although they are used sparingly. The mood is downbeat and smoky, which makes Nyro's theatrical dramatics and dynamic abilities all the more effective. The album was released after a year of night-time recording sessions, and is considered by most to be Nyro's artistic highpoint. Famous Nyro fan Rickie Lee Jones has described the album as one of the best records of all time. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「New York Tendaberry」の詳細全文を読む スポンサード リンク
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